Caterina Moroni
BIOGRAPHY
Caterina Moroni is an Italian independent artist and cultural and social activist specializing in art in public and unconventional spaces, as well as participatory processes. She is a member of the international network InSitu, a European platform for artistic creation in public spaces. With a degree in Contemporary Foreign Languages and Literature, she also holds a Master's degree in Business Management. Caterina attended the European Professional School of Performing Arts directed by Societas Raffaello Sanzio and since 2008 she has collaborated with renowned entities and directors on the contemporary scene. She has extensive experience as an artist, project manager, and Outdoor & Experiential Educator with various cultural and social organizations. Caterina is currently leading workshops on the relationship between humans and the environment through urban explorations and hybrid expressive languages. She directs and mentors the FNAS LAB 2023, a training and support program for art creation in public spaces designed by FNAS - National Federation of Street Arts. Starting in 2023, as an artist experienced in participatory practices, she is a part of BETA CIRCUS, a European project aimed at connecting contemporary circus with participatory art methodologies.
PROJECT
Caterina Moroni’s project in Fes includes a captivating blend of local elements & community involvement, centered around the symbolic figure of the donkey. At its core, the project is the creation of a contemporary ritual that celebrates the interconnectedness of all beings and the bond between citizens and their urban environment. Drawing inspiration from the enduring symbolism of the donkey as a symbol of resilience and practicality, its historical role in waste carrying and the metaphorical significance of this act, the artist delves into themes of connection, renewal, purification, and liberation. Building on her initial experiment in Castelbuono, Sicily, in collaboration with the Italian National Federation of Street Arts and local organization Il Cinghiale e la Balena, the artist seeks to refine and expand her concept within the vibrant cultural tapestry of the Fes medina. Entranced by Morocco’s rich heritage and the significance of its communal spaces, she sees them as fertile ground for her participatory performance practices. The project’s goals encompass fostering community bonds, amplifying voices, sparking critical dialogue, and revitalizing public spaces as dynamic hubs of communal interaction.